Bio

I make drawings, paintings, and other works through an ongoing experimental practice.

Much of my work is made rapidly and intuitively. I tend to work in ways that cooperate with my ADHD rather than fighting it—short periods of intense focus, repetition, rotation, and constant change. I’m interested in seeing what remains recognizable as mine when the material, process, or rules change completely.

I often work outside on my lap, listening to the wind in the trees above my deck, turning the work continually as images begin to appear from marks that initially meant nothing.

I’m less interested in executing an image I already understand than in finding one I didn’t know was there.

The work is also a record of that process: experiments, mistakes, recurring shapes, unconscious influences, changing materials, and the gradual development of a visual language I’m still trying to understand.